MINICOZZI RESUME
SOLO EXHIBITIONS:
Somerset Gallery, September 5- December 5, 2025
Terrace Gallery, May 17- June 28, 2025
Claudia Minicozzi: Painting , Arts Club of Washington, Washington DC March 2020
Claudia Minicozzi: Painting, Kristin’s Cafe, Washington DC, October | November 2018
Detail Gallery, Rehoboth Beach, DE, October 2008
Wohlfarth Gallery, Provincetown, Massachusetts, September 2,2005- September 22, 2005
Wohlfarth Gallery, Provincetown, Massachusetts, September 3, 2004- September 15, 2004
The Lombardi Cancer Atrium Gallery, Georgetown University Hospital, DC, September 30, 1999- October 29, 1999
Kramerbooks and Afterwards, Dupont Circle, Washington, DC, November 20, 1998- January 7, 1999
Selected Group Exhibitions:
Maryland Federation of Art, Annapolis, MD, 2026, 2025, 2024, 2023, 2022, 2021, 2019, 2018, 2017, 2016, 2015, 2011
Ch/Art ArtWalk 2023
“Undertow”, United States District Court, Greenbelt, MD, 2015
MD Federation of Art at College Park, 2013
Dragonfly Gallery, Oaks Bluff, MA, Plein Air ‘Paint Out’, Fall, 2012
Hardcastle Gallery, Centreville, DE, May, 2010 and March, 2009
Artomatic, Washington, DC , 2015, 2012, 2009, 2008, 2004
Parker Gallery at Mickelson’s Framing, Washington, DC: 2007; 2006; 2004; 2002
Wohlfarth Gallery, Washington, DC, April- June, 2002
Rosemont College Alumnae Show, Rosemont, PA, June- August, 2001
The Wilson Center Gallery, Washington, 2001
The Rock Creek Gallery, Washington, DC, 2001
The Virginia Art League Gallery, August and November, 1998
Ann Loeb Bronfman Gallery, Jewish Community Center, Washington, DC, 1997
The International Gallery, Smithsonian Institution, Washington, 1997; 1995
Commissions:
Eastern Market Windows Project, May 2007
“Funded in part by the DC Commission on the Arts and Humanities,
an agency supported in part by the National Endowment for the Arts”
“Dupont Circle”, Akridge Corporate Collection, 2011
Collections:
Georgetown University Special Collection
Federal Reserve Board Collection
DC Commission on the Arts and Humanities
Private Collections throughout the United States
Review
Mark Jenkins, The Washington Post, “Portraits, Landscapes & Dark Views,” March 17, 2020